Happy new year! Hoping this year is better than the last. A friend had told me how the first pigeon you see in the new year is auspicious (per a Japanese term) but I haven’t seen one yet, so auspicious gulls it is! They all flew well, which I’m taking for a good sign.
In 2019, I did manage to get a few things published. First was “Privy” in The Journal of Compressed Creative Arts. Then in December, “Cacti Prickle” came out in Bennington Review 7. And a Chinese translation of “Thirteen Steps in the Underworld” was published in the January 2020 issue of 科幻世界 (Science Fiction World)! It’s the first time I’ve had work translated and it’s in China’s only science fiction magazine (!)
I started a novel this year, wrote for a forthcoming Lonely Planet book, and finished a couple of short stories, one that took me almost all year to write, but I’m super excited to share it at some later point, after a bit more editing. Forthcoming in 2020, I’ll have a few poems out in EVENT and The Capilano Review.
Also, I did two readings, one in NYC and one in my new favorite state, Wyoming. Attended a few writing/research-related workshops and residencies (a one-day residency! a bird language workshop! a residency in the Rockaways!), and saw just how amazing the West can be <3<3<3
I was trying to sneak a book or two under the wire for 2019, but looks like I’m at 40 (better than last year but way less than when I first started counting…) I read more nonfiction than usual this year with 13 books; here’s my list.
Books read in 2019:
1. The Voyage of the Beagle– Charles Darwin (NF)
2. Fire and Fury– Michael Wolff (NF)
3. Dark Skies (NF)
4. Hidden Wonders (NF)
5. Gingerbread– Helen Oyeyemi
6. The Weil Conjectures– Karen Olsson
7. Running in the Family– Michael Ondaatje (reread)
8. The Seas– Samantha Hunt
9. Myths and Legends of the World (NF)
10. French Exit– Patrick deWitt
11. Dealing With Dragons– Patricia C. Wrede (reread)
12. The Unique States of America (NF)
13. The House of the Spirits– Isabel Allende
14. What the Robin Knows– Jon Young (NF)
15. The Incendiaries– R.O. Kwon
16. All You Can Ever Know– Nicole Chung (NF)
17. Wake, Siren– Nina MacLaughlin
18. The Foley Artist– Rico Villanueva Siasoco
19. Saltwater– Jessica Andrews
20. When We Were Orphans– Kazuo Ishiguro
21. Hazards of Time Travel– Joyce Carol Oates
22. Ravens in Winter– Bernd Heinrich (NF)
23. Pushcart Prize Anthology 2019
24. Family of Origin– C.J. Hauser
25. N.P.– Banana Yoshimoto
26. Signal Fire Reader
27. Trick Mirror– Jia Tolentino (NF) ***highly recommend to everyone!***
28. Close Range– Annie Proulx
29. When You Reach Me– Rebecca Stead
30. The Ecliptic– Benjamin Wood
31. Battleborn– Claire Vaye Watkins
32. Alone on the Wall– Alex Honnold (NF)
33. Inland– Téa Obreht
34. The Overstory– Richard Powers
35. The Taiga Syndrome– Cristina Rivera Garza, translated by Suzanne Jill Levine and Aviva Kana
36. The New Me– Halle Butler
37. Welcome to the Goddamn Ice Cube– Blair Braverman (NF)
38. What I Talk About When I Talk About Running– Haruki Murakami (NF)
39. Drive Your Plow Over the Bones of the Dead– Olga Tokarczuk
40. Imperfect Women– Araminta Hall
Looking forward to more reading and writing this year!
I’ve got a story out about cactus called “Cacti Prickle” in the newest issue of Bennington Review! Inspired by a particular object I saw at a bakery in Seoul, it’s a short piece about the places we go and how we change. Bennington Review publishes tons of amazing poetry, nonfiction, and fiction so check it out! http://www.benningtonreview.org/current-issue-7
Last week was my 360-minute residency at Freshkills Park (a hidden gem!!) and my blog post about my time there is up on the Holes in the Wall Collective’s website here.
My text is below but go to the link for photos and accompanying text from Julia and Dhira!
Coming here to Freshkills, there’s a lot to take in. The transformation of the park from landfill to nature preserve, the resiliency of nature (the deer that swim across the river, the volunteer trees on the mounds, planted by seeds dropped by birds and other animals), the effect on the local economy, the understanding that this is a project that takes years and years and years. In the here and now, so much has returned—there’s fish in the creeks and osprey in the trees, and a quiet that signifies space to breathe and to think.
Because there are so many birds in my story and here in Freshkills Park, I’m thinking a lot about sound and how to capture it on paper. The mechanical whirr and twang of the red-winged blackbird, the strident calls of gulls signaling a bird of prey overhead. The soft chirps of sparrows and the familiar warbling song of the robin. Killdeer, nothing as imposing as its name suggests, call with their high-pitched cries—what I’d thought somewhat like a gull’s, and the sound they’re named after. A high chipping call of another bird I cannot identify and a high-pitched whistle like the intake of a breath. How to bring sound into a story: here, the wind rustling new leaves, the hum of an airplane overhead, those various birdcalls that are both familiar and unfamiliar. Just a part of the landscape but such an important part: how do you describe what you expect to always be there? What happens once it’s gone?
Gorgeous space, tons of birds, and creative, interesting people meant I got a lot of thinking and writing and observing done. Thank you to Dhira and Julia for accepting me and setting it all up, and Mariel for hosting me at the site!
I’ll be doing another mini-residency this Wednesday as part of Holes in the Wall Collective’s 360 One Turn Residency! It’s a 360-minute (6-hour) residency where, once accepted, they pair you with a location to spend your 6 hours. I’ve been lucky enough to be paired with Freshkills Park in Staten Island, which I already know and love after having kayaked there and watched osprey and turkey vultures, since I’ll be working on my bird-centered, mythology-influenced short story. It’s a really nontraditional way of holding a residency but I think it’ll be a lot of fun! Expect some words/images about it this week :]
My second day in the Rockaways dawned clear, with bright blue skies scattered with clouds. Taking a bus to Jamaica Bay Wildlife Refuge, we found tree swallows in the dozens swooping around in the wind. The views were across marsh and water, and we learned the odd creaking song made by the red-winged blackbird. Below, my list of the birds I saw here:
There were a few tourists from out of the country, which I found interesting, but it was a gorgeous day to be out. At the visitors center, a woman imitated a bird call for help from a staff member on identifying it. As she sang, his eyes caught mine, a slight grin on his face. He, of course, could not identify the bird she was imitating. What poor voices we humans have. Later, lunch at The Restaurant, a local diner, and a gorgeous sunset across from JFK, where a few locals were fishing. The texture of the beaches there, with skeins of dried saltmarsh cordgrass lining the sand; they’ll sink just a little beneath your feet.
The next day, it began to rain again but I still made my way down to the beach where a number of surfers were battling the swells. In even larger numbers were sanderlings–I love the motion of them, the push and pull of their movements with the waves. Their marks like the sketch of labryinths in the sand. There, there were also a few piping plovers whose tan feathers blended in with the beach, and a few American oystercatchers with their high-pitched calls and thin, bright orange beaks.
I’m calling the photo above “The American Dream.” 😉
It was an amazing, relaxing retreat at beach64 that I sorely needed. I’m rethinking the story I’m working on, the focus of the narrator and the nature of what she’s battling; the role of the birds will probably play an even larger role, as well as the mythic underpinnings of the story. Reading I’ve been inspired by lately are Charles Darwin’s Voyage of the Beagle and Jon Young’s What the Robin Knows, as well as Helen Oyeyemi’s Gingerbread. I only wish I could’ve stayed longer!
Since January, there’s been a lot to catch up on, the biggest of which was that I went to Sri Lanka for vacation. Photos will eventually go up but right now, I’m in Far Rockaway in Queens at the Beach64retreat, thanks to the invite of talented artist Wojciech Gilewicz and his husband, Bartek. I arrived late, after several delays with the MTA, and fell asleep to the sounds of wind and rain.
Heavy rain in the morning but by noon, it had stopped. The clouds are so heavy and thick that I can hear but not see the airplanes that pass overhead. So many more birds here than where I live in Manhattan–the squawking of gulls, the singing of mockingbirds and robins. I ventured out to the small wildlife sanctuaries nearby; there were no real paths but I glimpsed a loon among a fleet of dark-headed ducks, and several laughing gulls with their dark heads and gray and white bodies. On the way back to the apartment, a bright red cardinal sang on top of a TV antennae. Since the story I’m working on a bird-centered narrative and I’m currently reading all about bird language, I’m really glad to be here. Jamaica Bay Wildlife Refuge is only a short bus ride away; I’m looking forward to going when it’s sunnier tomorrow! I only wish the skies would clear so I could try to get a view of the Lyrid meteor shower…
I’ve got a microfiction piece called “Privy” up at The Journal of Compressed Creative Arts. Check it out here!
Stayed up for the lunar eclipse last weekend—truly a cool sight despite the wind. Actually, because the wind was blowing so hard, the scuttering of the clouds made it look as though the moon were rapidly traveling across the sky. It was so bright before the start of the eclipse, I could see the dark shadows across the face of the moon. I was also not in the city, so the light pollution didn’t prevent me from seeing Orion and some of the other constellations. One of my goals this year is to go somewhere where I can see the Milky Way. I’ve only seen it once, out in the desert of Gansu many years ago.
My reading at Erewhon Books with Elsa Sjunneson-Henry was so much fun! It’s such a low-key yet intimate venue, and all the people there were super friendly and welcoming, and gave me plenty of advice on a work in progress flash fiction piece that I read. Special shout-out to Liz Gorinsky, who invited me to read and welcomed everyone into her publishing company’s space. It’s really a wonderful community (even though I am not even close to well-versed in most of the fandoms that others there were) and I definitely plan on going to more of their salons.
This month has also brought me back into contact with folks I knew while I was in grad school and before—it’s always fun to catch up with other writers that you admire and hear about all the cool things they’ve been up to. It’s also a reminder for me to carve out more time for my writing this year. Maybe I should set myself a weekly quota…
Oh, and for those who’d like a reminder now that nominations are open, I have a couple of stories eligible for the Hugo and Nebula awards (my post about it is here). Also, I’m on Twitter for those who want to follow my very occasional posts (but more than what I have here!)
Friends! Here are my eligible short stories for the Hugo and Nebula awards. If you want to read/nominate me and need a copy of Wonderland, let me know!
1) Wonderland, Day One, Jan 2018
2) Ocean, Bracken Magazine, Dec 2018
Popping in to say I’ve got a new flash fiction piece called Ocean up at Bracken Magazine!
It’s been a busy half year back from Asia: I’ve started working on a novel that is obsessed with all things fish and ocean life related, catching up on all the reading I hadn’t been able to do in Asia (my gosh, so many great debut books!), visiting family and friends, and just getting back into NYC life with all its readings and art openings and cool events.
Speaking of cool events, I’ll be reading at a speculative literature literary salon in January! More info on that soon.
I also received my copy of the Pushcart Prize anthology and it is huge! So excited to delve into it and read all the great work that’s come out the previous year.
First off, I wanted to let everyone know that my story, A Flock, A Siege, A Murmuration won a Pushcart Prize! I’m really honored to have been nominated by Bennington Review and excited that the Pushcart Prize committee chose it to receive a prize! You can read it online here or buy a print copy of either the Bennington Review issue or the Pushcart Prize anthology coming out this autumn.
A lot of changes these past few months—writing up presentations on pigeon racing and finishing up classes in Taipei, snorkeling and rock climbing (Taipei rock gyms are HARD but the people are crazy nice), traveling and researching in China on a series of islands, visiting relatives, and catching up with L—but now I’m back in New York and finally settling back in. It has been less than a month but my life in Asia already feels somewhat dreamlike, especially since I never have to speak Mandarin here. But I miss my sweet potato guy and my pigeon-keeping neighbors and the mountains and plants and birds there.
I’ve just started writing again, though, and it brings the places I’ve been back to life for me. I’m really excited about what I’m currently working on even though I’m not quite sure where it will go. It’ll have crabs and windmills and the green sea in it for sure though.